The most common way of recording bass is directly, by plugging a cord straight into the recording device. However, there are multiple ways of doing just about anything. Another way bass can be recorded is by recording the amplifier sound instead of the direct bass sound. This can be accomplished one of two ways: by putting the microphone in front of the bass cabinet, or by splitting the signal and rerouting it through the amp.
Record Direct
There is no correct way to record bass. While certain methods may be more appropriate for certain types of music, recording techniques are largely a matter of personal taste. Some people state that direct recording gives the finished product a more professional sound, but the indirect sound can often be preferential to certain ears. You might want to try experiment with recording both directly and indirectly at the same time. Some suggest that the combination sound is even more polished and professional than just one or the other.
Hardware
In terms of recording hardware, many artists prefer to include a preamp during the recording process, as they enjoy the sound quality it gives to the music. Many also recommend using compression during the recording process, as opposed to later during editing, in order to control the sound. In terms of compression levels, a setting of 3 tends to be a popular one. Vibe is another special effect that works well during the recording process as opposed to later, in the editing studio. There are other effects that can be used during recording, such as the use of particular pedals, or a megaphone, to enhance sound.
Effects
While some effects are useful during the recording process, others can be just as helpful, although should be used with a bit more caution. Equalization, for example, should be used sparingly, as any frequencies cut out using the technique will be left out during recording and cannot be replaced later on. Equalization is one of many techniques better left to the mixing process. Reverb is a type of effect that can be used during the recording process, although you can easily go overboard with it, and some people insist that it is better utilized later, during the mixing process.
Noise
A major piece of advice given to beginning recording artists is to remind them to eliminate extraneous noise. This means closing windows, shutting off unnecessary electronics, etc. One of the most important things to remember about recording is that during the process, keep the tone controls flat. While you may prefer to record a specific style of sound, this can usually be accomplished later, during the editing process. By recording with flat controls, you are ensuring that everything sound will actually be recorded. In addition, when recording bass solo for use in an ensemble piece, be mindful of how your part will sound when mixed with the other instruments. What sounds great when played alone may not mix well later on.
Editing
When editing a bass recording, there can be sound problems that result during the mixing process. A major problem, distortion, can occur if you overuse boost when applying equalization. To avoid this problem, boost should be determined with other sounds temporarily cut. However, distortion can occasionally be useful. A small amount of distortion can sometimes accentuate the sound of the bass. While too much can obviously get in the way, once in awhile it can provide an excellent effect. |
